The 53-year-old actor plays a US General posted in Afghanistan
Hollywood superstar Brad Pitt is in India to promote his latest film, the Netflix satire “War Machine”.
Bollywood star Shah Rukh Khan will be moderating a special chat session here with Pitt, in which the two actors will discuss the project.
In the movie, the 53-year-old actor plays a US General posted in Afghanistan.
Directed by David Michod, of “Animal Kingdom” fame, the Netflix Original film is inspired by the book “The Operators: The Wild & Terrifying Inside Story of America’s War in Afghanistan” by late journalist Michael Hastings.
An investment in the range of $60 million also makes it Netflix’s biggest-budget feature to date.
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Pitt’s character is loosely based on General Stanley A McChrystal, a retired United States Army general best-known for his command of Joint Special Operations Command (JSOC).
His last assignment was as Commander, International Security Assistance Force (ISAF) and Commander, US Forces Afghanistan.
Hastings’s blistering profile on McChrystal led to his firing by Obama.
Pitt’s company Plan B is also one of the producers of the film.
The first big-budget Hollywood movie on Netflix will be released on May 26.
Opening the 2017 Festival is French director Arnaud Desplechin’s Ismael’s Ghosts
The red carpet has been rolled out and the stars are taking their photo calls as the aristocracy of the film industry gathers at the Palais des Festivals in Cannes for the 70th annual film festival. From Afghanistan to Zambia, film makers, buyers, screenwriters, distributors, critics, academics and cineastes bunker down together for 12 days of communal cinematic consumption in dark rooms interspersed with heady business and critical discussion in the glare of the Mediterranean sunlight.
Opening the 2017 Festival is French director Arnaud Desplechin’s Ismael’s Ghosts, which is screening out of competition and kicks off a line up that includes 49 films from 29 countries, 12 of them by female directors.
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The festival groups its selection (invited from more than 1,000 submitted films) into a number of strands: “the Competition”; “Un Certain Regard”; “Director’s Fortnight” and “Critic’s Week” all of which have their own programme of films. Complementing these strands are special events such as “Midnight Screenings”, “Cannes at 70” screenings, “Cannes Classics” and “Out of Competition” screenings – including, this year, a new thriller from Roman Polanski.
Thierry Frémaux, the Festival’s artistic director, is in charge of selection – and this year his choice is characterised by a lower number of Hollywood films than usual. He has also gone for a more pronounced political tone in the films, on themes such as migration, sex trafficking and the refugee crisis. Another feature of this year’s selection is the screening of films financed by media streaming platforms, including Netflix and Amazon, and the inclusion of “cinematic” television dramas. Read more